painted Portrait of Anna Rosina Tanck, wife of the mayor of Lubecker in1642  Related Paintings of Michael Conrad Hirt :. | Still life floral, all kinds of reality flowers oil painting 301 | Portrait of Madame Roger Jourdain | Titus Reading du | The Wounded Cuirassier, study | Failure of Military Operation by Henri Decaisne |
Related Artists:
Herman van der Mijn
(1684, Amsterdam - 1741, London), was an 18th century painter from the Northern Netherlands. According to Houbraken he introduced Jan van Nickelen to Jan Frans van Douven. According to the RKD he learned to paint flowers from Ernst Stuven, and became a master of the Antwerp Guild of St. Luke in 1712, and the following year court painter to Johann Wilhelm, Elector Palatine. He took the family of Jan van Nickelen in tow to Dusseldorp, where they painted at court, and Van der Mijn taught Van Nickelen's daughter Jacoba Maria van Nickelen to paint flowers. She met the painters Rachel Ruysch and Willem Troost (whom Jacoba married) there. Van der Mijn returned to the Netherlands in 1717, but left on a trip via Brussels and Paris to London, where he stayed until 1737, when he took a trip to Leeuwarden
Paulus Moreelse
(1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid.
Harry Roseland
(c.1867-1950) was one of the most notable painters of the genre painting school around the turn of the 20th century. An American, Roseland was primarily known for paintings centered on poor African-Americans. Roseland was largely self-taught, and never traveled to Europe to study art, as did many of the American artists of his time. However, he did receive instruction from John Bernard Whittaker and later, James Carroll Beckwith. One of his most popular subjects were his paintings of black women fortune tellers who read the palms and tea leaves of white women clients. These paintings were widely reproduced during the early 20th century in the form of postcard sets and large full-colour prints that were distributed as Sunday supplements in newspapers. While known most for his paintings of African Americans, his work encompassed many genres, including seascapes and portraits. He also gained renown for his paintings of laborers in the coastal areas of New England and New York and his many interior paintings. Roseland was born and lived his entire life in Brooklyn.